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Below is a blown up, cropped sample of a project I’m working on in Adobe Illustrator. The shaded portion is a cross-hatched shadow effect created by applying a clipping mask to a pair of blended paths.

Unfortunately, this creates some unnaturally sharp points that don’t look nearly as pretty is a natural engraving or etching. Is there some effect or transformation I can apply to the layer (or to the mask itself) that will achieve the same results as if the ends of the paths were capped?

UPDATE: Here it is:

so I’ve uploaded it here

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can you post a URL? –  Lauren Ipsum Aug 19 '11 at 0:22
    
Good idea. See the link above. –  Adam Aug 21 '11 at 17:55
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Use pathfinder to crop the shade, unite the whole pattern and then apply round corners effect

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This works assuming the blend has been expanded (Object > Blend > Expand). This means that the blend cannot be altered afterward, but a destructive solution is better than none at all. Thank you. –  Adam Sep 25 '11 at 15:06
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Not really my style. If I had to try and ‘fix’ it for a client, I’d look at some combination of path tools and flattening.

Flattening can be used to convert the lines to shapes upon which the pathfinder tools will operate.

The process would be to gather the inner content and flatten until you’re left with path objects. Then use your clipping path to remove outside points. Then you’d need to tweak the edges however you want.

OR I don’t have Illustrator on this comp, but I believe that the path filter works on lines as well. If so, you could copy the clipping path and use it as a ‘cookie-cutter’ on the lines. Once they’re cut to the edges you want you can just change the end caps to rounded or pointed. Remember that rounded end caps in Illustrator go past the points which start and finish a path, so do take that into account.

Personally, I like the first approach, since you can use pathfinder filters to rough up the line ends and have full control of the finished product. [Note] Occasionally, with flattening you have to try different things to get the entire selection to flatten, or to get it to flatten without rasterising. If you don't get the result you think you should, try flattening a part, removing overprint features, make sure you're not using transparency (or sometime make sure you are), and then use your pathfinding tools to build up the final project. Remember, copying objects in place is a great way to tweak sections and still maintain the artwork.

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