It's an old question, but an important one. Let's see if we can get a good, nuanced, ideally evidence-based answer. So, old-school wisdom (certainly, how I was taught back in the day) says that serif ...
Originally, the typeface is a particular design of type, while a font is a type in a particular size and weight. In short, a typeface usually gathers many fonts. Nowadays, with digit design of ...
I'm just reading The Non-Designer's Design Book by Robin Williams and am very impressed how on almost every page, Ms. Williams seems to "pull out" some beautiful typeface which I've never heard of. ...
I've heard there are a number of slight differences between these two similar fonts, is one better than the other for different contexts?
Fontshop.com used to have (at least I think it was them) a index of typefaces that you could use visual / structural specifics to search through their library of typefaces. It gave options for things ...
I was wondering there were any helpful guidelines and/or tips for designing logos with multiple fonts. It seems to be a dangerous area to enter into, but can lead to some great results. Often times ...
I am taking a regular version of a typeface I love and making a light version of it, and I'm wondering: Is the light version just an inset of the regular version? Are there any special ...
I am putting a text heavy book together, 6in x 9in paper size. (Perhaps related are this and this link.) Now I look for good font pairings (nice examples are here) and margin settings and line ...
I am aware that certain fonts, are designed for use at certain sizes, at least in the physical print world. They make uses of things like Ink Traps to prevent running. With type for the digital ...