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13

There are two reasons ClearType text is so crisp. it uses subpixel rendering. I don't think Photoshop supports that. it uses aggressive hinting to fit lines into the pixel grid You can type your text in Notepad, screenshot it with some nice convenient tool, and paste it into Photoshop with blending mode Multiply (because it's black text on a white ...


11

Photoshop is not a web designing program. To get text that looks the same in a browser as in a graphic (jpg, gif etc) you have to use the same font in both programs. Some fonts are not used by all browsers. Depending on the size of your text, a good mid-sized font could be Tahoma, Helvetica, Trebuchet or Georgia. Check out this website for some good ...


11

The development version of Inkscape (upcoming 0.91 release) has a global anti-aliasing toggle in the Document Properties window, which should also work for export. Look for "Development Versions" on the download page: http://www.inkscape.org/en/download/


10

File - save for web Select your output file (jpg|png|gif) and the quality In the middle you will see a drop down under percent. Select "Type Optimized"


9

Adobe Illustrator constructs objects with vector mathematics. However, it has to interpret that vector data into pixels in order to display it on the (pixel-based) monitor. To create smooth lines on screen it anti-aliases pixels when two colors lie next to each other. It essentially "blends" the two colors together over a pixel or two in order to represent ...


8

Most operating systems and browsers render with antialiasing or sub-pixel antialiasing. Sub-pixel antialiasing is common on desktop platforms, like Windows (with ClearType) and OS X. Standard monochrome antialiasing is common on mobile platforms, where the device's sub-pixel order may change with device orientation, and where sub-pixel rendering isn't as ...


8

Ignore the anti-aliasing. It's entirely irrelevant in this situation. When you're ready, save the PSD, then Save As a PDF. Uncheck the option to keep the file editable in Photoshop, or just use PDF/X-1a as your PDF type. Your text exports as vector information, not rasterized, so the various Photoshop settings don't apply. Here are two bits of text inside ...


7

This is called clearType in windows (or sub-pixel rendering like Marcelo said) The idea is that instead of using 1 value for 1 pixel:(127,127,127) < Gray we can make the left side of this pixel less intense and the right side more (55,127,185) - Blueish tint and then the same for the right sided pixels (185,127,55) - Orange ting below it shows (no ...


7

Assuming you're scaling up by integer multiples, as per your example, this is easy enough. In the Photoshop resize dialog, just choose Resample image: Nearest Neighbor.


7

You should be exporting directly to the pixel dimensions you need from the original Illustrator file. You'll probably do just fine altering the size in the save for web dialog rather than creating a scaled vector version for every instance.


7

One simple solution is to export to PDF, and then use Ghostcript on the resulting PDF. Using a strawberry image from Openclipart and the command gs -dSAFER -dBATCH -dNOPAUSE -sDEVICE=png16m \ -r72 -dGraphicsAlphaBits=1 \ -sOutputFile=image.png image.pdf I get the following result. If your image also includes text, you’ll need to add ...


6

No. The new line of thought is to avoid Photoshop for layout and typography design and start in the browser as early as possible. By passing the client an actual URL as opposed to a Photoshop comp, you avoid the client's expectations being dashed when the final product renders slightly different in their browser of choice vs the Photoshop comps. ...


6

This is a product of using diagonal lines on a grid (which is essentially what a PNG is: a grid of pixels). Here's a diagonal line on a grid. Each of the squares represents a pixel, greatly enlarged here. Some pixels need to be only partially coloured. It's not possible to colour a pixel like this. It needs to be all one colour. Without anti-aliasing, ...


5

I found that just by changing two pixels in the middle of the second image to white, I could make it a lot more clear: Here they are at normal size: It's definitely a little better. So, you might do well just by scaling down Helvetica and then zooming in all the way to see what's making it fuzzy, and then fixing it from there. I didn't spend a lot of ...


5

Your original image ("8SLgo.png", labeled "here is the image" in your question) already has the blurring between squares and blurry text. Here it is, enlarged 5x and composed against a white background: It looks to me as though your friend created the image in a smaller size and then enlarged it to the 110x130 size before sending it to you. If the ...


4

Antialiasing is a blurring effect, and for small type on business cards, you should avoid it at all costs. Typefaces should be output as vector, especially at small sizes. You comment that you have no proficiency with InDesign. If you have the program, use it. Now is the ime to learn it, and a business card is the perfect small project. You can do the ...


4

Unfortunately Photoshop doesn't support any kind of a subpixel rendering. Nor does any other Adobe software—with the exception of Dreamweaver. (Well it is not exactly Dreamweaver's technology, as it just renders the HTML and then passes the text for the operating system to be rendered.) The suggested workflow may be that you create and slice your design in ...


4

Design in HTML and CSS. If you MUST get it back into a PhotoShop mock-up, screen shot it out of the browser, then bring it back into your PhotoShop document. Setting type in PhotoShop is a pain, in general.


4

Once you have created each shape (I assume that's what you're doing -- if not, that's how you should do this so you can see what you're doing) and scaled to taste, select its path using the Path Selection Tool (black arrow version). Copy. Ctrl+C (Cmnd)⌘+C Create a new, empty layer and Paste. You now have a duplicate of the path on a new raster layer and ...


4

If you look at how it renders at dafont.com you'll see the same problem. It's not limited to Photoshop. It looks even worse in the OS font preview because, like many cheap fonts, it doesn't seem to have any hinting information at all. You'll get a somewhat less obnoxious rendering if you use "Smooth" rather than "Crisp" for the anti-aliasing, but any ...


4

You should rasterize it in the right pixel dimensions directly from Illustrator whenever possible, but when you're resizing things in Photosohop there is a choice of resampling modes: Nearest Neighbor - This is the simplest form of resampling, if you can even call it that, where the original pixels are just expanded to the next full pixel to fill the new ...


4

Unfortunately, no, there isn't a way to, using the tools that Photoshop has by default, replicate the different browsers' rendering (note that all browsers render text in a distinct way). That's one of the reasons lots of designers create mockups straight in html/css, because of these discrepancies. There are, however, Photoshop actions and plugins you can ...


4

Sometimes, it really depends on what you do. For pixel art style sprites its quite commonly done manually. But for general graphics not so much. Expecting an "anti-alias filer" This exists its usually called bicubic downsampling. See the computer can not know how to anti-alias because the signal is unknown. But if you provide a better signal it can ...


3

Photoshop doesn't AA text quite as well as most OS' native text rendering since it uses Photoshop's own AA algorithm, which doesn't make use of subpixel rendering (therefore it probably doesn't make use of ClearType hinting that's embedded in many fonts). But even if it did, every implementation of AA has its limitations and detractors. Some people prefer ...


3

My guess was right after all: If the letters are intended to be displayed in a computer monitor, and the smallest portion of a screen that can be black is an entire pixel composed of three little lights, that would cause the smallest dot in any letter to be fairly large, but if the anti-aliasing composed by surrounding or inner dots can be represented for ...


3

Screenshots on Retina Macs are exactly what you may expect: They're double the resolution and pixel density of non-Retina Macs. For a Retina MacBook Pro, full screen grabs are 2880×1800, with the pixel dimensions of elements double the size. When overlaid with a screenshot of a non-Retina Mac, so that they're both the same physical size, the elements on the ...


3

I'm going to try and answer this question based on the given information regardless of format but under the assumption that these are large-format banners going by the hard dimensions given... If you are combining large elements like this, I would highly recommend that you move your layout work out of Illustrator and into InDesign or Quark, then output to ...


3

A possible work-around might be to use the "sharp" anti-aliasing method and set a 0-depth inner glow on the text layer: For this sample I used white color, 85% opacity, "screen" blend mode, 0 choke, 0 size. Not as good as Ms clear-type, but it looks less boldy... (first line = no anti-aliasing, last line = sharp anti-aliasing without the inner glow)



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