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32

Not only you need bleed, but you need to consider if you need to shift the image a bit away from the borders depending on the binding method you are using. Saddle stitching binding allows the book to lay flat when it is open. The content that is close to the inside edge of the book will be visible. This method of binding is usually expensive. Perfect ...


14

The purpose of bleed is to mitigate imprecision. The printer "may cut 1/16 inch off the pages" means that the printer will not guarantee that their cutter will be accurate within 1/16 plus or minus (a 1/8 inch range). So the question for you is not about cutting too much off, but whether you will be happy with a sliver of white paper showing when they don't ...


9

It's recommended to start new chapters on the recto page of a manuscript, as it establishes a predictable flow for the reader to follow. The resulting occasional blank pages are actually a part of establishing this rhythm, making the divisions between chapters even more distinct. This recommendation is listed in rule 1.48 requires login of the Chicago Manual ...


9

Traditionally stock sites allow you download a free, watermarked "comp" image which can be used in your design until the client approves the piece. Once the client has approved, you can then go back and purchase and download the non-watermarked image. You are free to purchase and download the non-watermarked image whenever you'd like however. It's not ...


7

No, usually not. This is a legacy of hardbound binding; these extra pages were glued to the cover and the inner pages, and do not count as "inner" pages. For a paperback, you don't need to explicitly add them. The page with the half-title is sort of a connector between the cover itself and the inner pages. Its use is (historically) to protect the real title ...


4

The most straightforward way to do this is to export to PDF, then use the PDF booklet printing option in the Print dialog. As you have seen, the Print function from the Book Panel doesn't offer a booklet printing option.


4

The simplest rule on this is usually the best: less is more. I have often found myself in the position where i was praised for layout that was simply not overdoing it (see also this long-winding answer on the topic). Inexperienced users will over-design and over-layout a document. Stick to 1 Typeface. You can have two, one for headings. But think if you ...


4

A good textbook is about content. Without something worthwhile to say, the design fades away. Content is King. So let us look at what kind of content you will need. 1. Illustrations Most subject, need or at least greatly benefit from pictures to clarify things. The right picture at the right place can do wonders for your design. This said you can not just ...


3

The recommended option Well, the real answer on "how to make my book appear more professional" is: find a designer. You should focus on the content, and let the designer focus on the look. There you have several options. The designer can prepare you a template so you can have the first idea on how the publication is looking, or he can have the design ...


3

Intentionally blank pages only serve a function in a printed piece (they are leftovers at the end of a form, or sheaf of pages which come in a multiple of four). There's no reason to have them in a PDF. If I were to see a "blank page" in an e-book, I'd assume it was a formatting mistake. Why would you leave it in? Additionally, the only place I've ever even ...


3

Easy Way: Use the Template Generator: https://www.createspace.com/Help/Book/Artwork.do Hard Way: Follow the Specs: Create Space offers several book sizes as shown in this table: The author will have to pick one of those sizes, interior page colors, and a page count. Once you know those, you should be able to determine the exact submission requirments ...


3

I think you're right. Classically, inner margins are smaller than outer margins. However, you do need to ensure the inner margins are large enough to keep content out of the gutter. The reason outer margins are larger is due to creep. (which you can calculate). Creep is the slow outward movement of content due to the gutter and binding. Content will move ...


2

For Photoshop, A4 or A5 in a landscape format, at minimum 300dpi/ppi (because you're printing it): Under Preferences > Guides, grids and slices make gridlines at every 50 PERCENT. typically with subdivisions every 1 unit. Now when you go View > Show > Grid you will get a clear subdivision of your page. If you need it to be 3 fold, simply show ...


2

Yes, one can move/copy pages from one document to another. Open both documents Open the Pages palette select the pages you want to copy right/control-click on the selected Pages and select Move Pages... change Move to:'s pop-up menu to the desired destination, set the Destination: as needed OK Repeat once for each document (no drag-drop) and you can have ...


2

Just practice the things more & more. "Practice makes perfect." Also reading books. If you want to read tutorials you can but I suggest you practice the thing you have learned from tutorials. It will increase your graphics skill more.


2

To avoid mousing over to the toolbar, or having to press the A key to switch to the Direct Selection Tool, you can just click the target in the center of your placed image (appears when you float your mouse over it). Then, as long as you have the content selected and not the frame (brown handles instead of blue), you can just drag the handles to scale the ...


2

Yes, with the image selected within the frame, press s (for the scale tool), click once to set the origin, then click-drag holding shift to resize the image. Or if your reference point (below) is set to the centre, you can skip straight to click-dragging. When preceded by command Fill Frame Proportionally this workflow is quite efficient. More on ...


2

Hi Vincent and welcome! I think Tschichold's Canon works esthetically but yes, depending on your binding, you will have to add to the inner margin. It obviously depends on the kind of binding and also the amount of pages in your book. There are other canons like Van de Graaf and Rosarivo and Bringhurst also has a nice section about page proportions in his ...


2

I had the same problem using CC, and I knew that no document had been modified outside the indb file. My book has individual indd files for each chapter, and my solution for this error was to update the contents page in the first file (layout/update table of contents) As each chapter was updated the error sign disappeared.


2

You need to apply a paragraph style in InDesign. They are not in Window but the panel is located in Type. Shortcut cmd+F11: Create the paragraph style, double click, go to Indents and Spacing: Add your desired indent in the First Line Indent: Taking it a little further. You could unpack the ePub and navigate to your CSS and build a class and ...


2

If your scans are consistent (same size and positioning), you could simply create an InDesign document, import them in and use the Masters to place your pagination number. It'll then apply to all the pages and you'll be able to export a PDF. For quicker placing of your images, I'm fairly sure something could be programmed to do this in InDesign using the ...


2

A book on inspiration would in time become outdated, expensive and some books are based on the current trends. If you're looking for inspiration instead of purchasing a book I would look for websites pertaining to the field you have in mind. (An example for web) I frequently like to visit sites such as: CSS Design Awards Awwwards Bootstrap Expo ...


2

ON *nix systems there is a command called psbook (see instructions here) and psnup so you can probably find it for osX. For windows you can get it with cygwin. what you would do is call: psbook -s16 print.ps out.ps psnup -la4 -2 out.ps > out2up.ps This will make pages with 16 page long signatures or 4 paper groups. You can change this by editing the -s ...


1

From my experience with textbooks (still in school) the most professional books are very clear and simple, they don't have fancy fonts or very clever designs. There are primarily 2 types of textbook, the plain clear and simple and the colourful and 'more fun' style. Although the content is the same there are a few key differences. Boxes and layout In all ...


1

Steve Krug's 'Don't make me think' is an excellent read and its simple ideas will stick with you and help you in a variety of contexts. The book will give you an understanding of website design best practices from a broader usability perspective, which you can then apply to your specific needs when designing components, landing pages etc. It will also help ...


1

I like this Altogether font match: You can find it for free, but illegal.. so find it yourself.


1

I learned a lot from the Classroom In A Book series mentioned in the other answer, and I recommend them highly, but it can only teach you so much. If you have access to any Adobe User Group meetings (for example there is an InDesign User's Group that meets in my area), you will learn much more from experts. Additionally, there are some amazing tutorial ...


1

I can't recommend a font but I would consider fonts that were available up to the 1850s, or at most up to the beginning of the 20th C. So, maybe some modern romans. I don't really see the Arts and Crafts movement working that well for today's audience but ... it might. The UX guy in me says - know your audience.


1

Gentium from SIL will likely work well for a free font. The SIL Open Font license also means that you can edit the font for your own needs using a font editor like FontForge. Gentium was designed for scholarly work and supports Latin, Cyrillic, and Greek.



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