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6

Typically a font’s small caps are designed to rise up to somewhere around the font’s x-height (or a little higher). Regular capitals rise to the full cap-height. For example, in Adobe Caslon: Sometimes the small capitals are just scaled down versions of the capital glyphs, but on a well-considered and complete typeface (like in Adobe Caslon above, or in ...


5

I checked your screen capture out on http://www.myfonts.com/WhatTheFont/ When I used all the recognizable characters, it didn't find a match, but when I used only the "J", it found it right away. Try - Twentieth Century Pro Bold Italic Looks like a match to me, using the "playbox" on ...


3

Illustrator uses a font engine that is not capable of doing single line fonts. All fonts in illustrator are outlines no matter what. If we take CNC Vector as an example its simply a outline that turns up on itself, so it is not truly a singe line font as far as illustrator or your cad is concerned. So beware if you use a cnc machine/ laser cutter the area ...


2

There are plenty of font management software solutions out there. I personally prefer Suitcase Fusion for individual but if you have a company I would suggest Universal Type Server. Both software are developed by Extensis. If you use Adobe you could use their Typekit. Also related: Font management tools for Mac What is a good free font management tool ...


2

Without a clearer image it's hard to tell but it looks like it has been edited from or based on Handel Gothic Italic (either Bold or Heavy). The curves are more geometric, so this may have been re-drawn, but the proportions are all the same so I would say it is at least based on Handel Gothic.


2

Here's where the word "creative" comes in. Try a search for Novelty or Quirky typefaces. Maybe you can find a stock typeface that will please your client. There are tens of thousands of unmodified stock typefaces that are quite distinctive. Once you have some likely candidates, you can apply effects to them to modify them in a way to make them unique for ...


2

I don't have a font suggestion for you, but I want to challenge the idea. The problem with 6 and 9 on a dice isn't that they look the same as each other—the problem is that a 6 or 9 could be seen as either, so your 6 will still look like a 9 when rotated 180 degrees, and your 9 will still look like a 6 when rotated 180 degrees, even though they are ...


2

Install a typeface with an italic version and use that. That sounds blunt, but it's a harsh truth: Illustrator will not make a font italic by itself, it requires a separate font file with the italic version. This is good: the 'italicise' function that lots of word processors use, is nothing but a 'slant' function that does not produce passable italics for a ...


2

You are looking for a geometric sans font. So looking in those categories on FontSquirrel gives you several options. But the one I think comes closer is Poppins, avalable in Google Fonts:


1

Click text, click text again. Move the top handle to the right. Result


1

Wikipedia, 'Small caps' page: In typography, small capitals (usually abbreviated small caps) are uppercase (capital) characters set at the same height and weight as surrounding lowercase (small) letters or text figures. They are used in running text to prevent capitalized words from appearing too large on the page, and as a method of emphasis or ...


1

A typeface is one specific style of lettering: Times, Helvetica, Poetica, Adobe Garamond. Sometimes there is just one typeface to that name, period: Michelangelo, Caliban, Harrington. Since in most programs you have the ability to add formatting to a typeface (like bold or italic), and in layout progams you want aesthetic flexibility, type designers have ...


1

Often slight differences between terms are missed when starting out. Some terms are mis-used, and some are misunderstood. I like to use an analogy or a metaphor to help distinguish between similar terms. If I'm lucky, the analogy holds and the answer helps make things clearer Type designers will sometimes make different weights (stroke thicknesses), style ...


1

Boldface with italics lacks sufficient emphasis I don't think it does, actually. The italics make it feel like those words are specific terms that we've learned about previously in the document and should take note of when they appear. APA Style would probably categorize these as "key terms", as discussed in this post. A key term italicized in an APA ...


1

Why not use bold for only the words that change? Compulsory contributions from pre-tax income do incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Voluntary contributions from pre-tax income do incididunt ut labore et dolore magna aliqua. Ut enim ad ...


1

Another option: Drop the bold and use color for the whole emphasised string, then bold or italic the extra-emphasised words. Using color isn't a bad option but if the whole string being emphasised is more important than the specific words I would keep the whole emphasised string the same color (wether that is the same color as the full paragraph or not). ...


1

Two font managers I have used for the last few years Suitcase Fusion and FontExplorer X. Both are extremely useful solutions. I personally much prefer FontExplorer, which is what I currently use. FontExplorer lets you easily and automatically organize fonts with Smart Sets. Manually sort your fonts in to groups. It has easy activation control with ...


1

There are probably either alternate glyphs for the character or ligatures that include that character in the font. You can check if this is the case in InDesign by opening the Glyphs panel (Window → Type & Tables → Glyphs) and searching for any other glyphs that include that character. You can open the font in any font manager or editor and check the ...



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