New answers tagged fonts
0
Tikal Sans Medium looks close to this font and the numeric is different font Pepperell Braiding Hemp look close
1
There was a plugin, years ago, called Parian that claimed to render Farsi text correctly. From what I can tell, it hasn't been updated in a very long time and there's not much chance it would work in any version later than Photoshop 7. I don't know of one that's current.
On the brighter side, there should be OpenType fonts able to form words correctly in ...
6
If you're trying to create a 3D ribbon effect, start drawing ;)
As others noted, this is custom. The reason you will not find a font (in addition to Microsoft's IP lawyers) is the complex shading. The commonly accepted font formats do not support illustrative gradients and borders.
Besides, the effect in the MS example could be greatly improved upon. The ...
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Nasalization Heavy look close, like Scott said I'm also doubt but i think they used this font for customization.
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I highly doubt this is a font. Each letter is a custom illustration.
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In general, from a strictly technical perspective, the answer would involve making outlines of the font in Illustrator or another vector program, putting those into a new font file (I use FontForge to make fonts), and then adding the characters you need.
In your case, perhaps you could find some way to make Trajan work with Sell Your Soul, since the font ...
7
Actually, this is Catull Regular with minor manual changes. It was created in 1982 by German designer Gustav Jaeger for Berthold. Also see this.
3
definitely the Bariol, -Thin , -Light, -Regular and -Bold
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You should try the Berthold Akzidenz Grotesk BE Super
10
The font is called Bariol.
And, so you know how I figured it out (even though I've never heard of the font before), I downloaded the presentation PDF and then opened it in Illustrator. Illustrator was happy to tell me which fonts were missing from my system:
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This is definitely two different typefaces. The 'K' does not fit the overall angles found in the other letters. Not a great idea, but it happens every now and then.
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The K is Arial Black =) . And then the tracking to -175 .... or -200 . Must be a value between them I'm sure =]. Good luck.
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Off the top of my head, it looks like Franklin Gothic.
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Pretty sure it started out as Gentium. It's open source and on Google Fonts, iirc.
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I think it is custom... Therefore, do not find 100% similars the font.
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With my Adobe apps, I don't install Fonts in the Mac OS X fonts folder - I just store them in Library/Application Support/Adobe/Fonts (backing up the original as a compressed file) and store them in subfolders so all apps can use them - e.g. InDesign, Photoshop.
Worked for me on Mountain Lion 10.8.3 anyway.
I would recomment a font manager for if you're ...
2
One way or another you are going to have to store them locally. That's the only way the system is going to be able to use them. That doesn't mean they need to be active, that's what a good font manager is for (I'm a big fan of FontExplorer).
If you have discreet sets of fonts that you can identify (clients, project types, styles), there might be another ...
1
There's a book called "Typography for Lawyers" written by Matthew Butterick that you should take a look at ($10 on the iPad). He also wrote a short article on choosing type for legal content.
http://www.typographyforlawyers.com/?p=587
1
Constantia would be a better fallback than Times New Roman for Garamond, and Corbel would arguably be a better fallback than Arial for Proxima Nova. They may also have Gill Sans installed with some software, plus Open Sans is not bad.
I'd put something like:
"Adobe Garamond Pro",Constantia,"Times New Roman",Times,serif
"Proxima Nova","Open Sans","Gill ...
1
Looks like you're on the right track. I just code the page and try swapping fonts with something like FireBug to see what fits best.
Times is going to pose a problem for you. It won't match up with the metrics of Garamond (or Hoefler) at all. Try falling back to one of the newer MS fonts like Constantia.
2
I second the recommendation to make the text darker. Looking at the actual page, you're currently using 67% gray (#555555) for the text color, which is pretty light. I'd suggest going for something more like the 80% gray (#333333) you're using on other pages. The only real reason to use small print or light gray text for legal boilerplate is if it's ...
1
The Inkscape text toolbar only allows you to select the font family and size, and to toggle bold and italic type, but it doesn't include any way to select a specific font variant. This has actually been reported as a bug in Inkscape, and should be fixed in the next version (0.49).
In order to select a specific font variant in current versions of Inkscape, ...
4
My initial gut response to trying to make something look formal is serifs. Did a search to confirm and found this:
Use a classical serif typeface when writing professional style documents. Examples of serif typeface include Times New Roman, Garamond, and Baskerville. These font styles are the most commonly used because they are styled best for ...
2
Snarky but pragmatic answer: It's legal text. No one reads it anyway. It's not even meant to be read. The typeface doesn't really matter.
Proper User Experience answer: Make it at least 12px in size, if not larger. Use a decent contrast.
Ideal make-believe-land answer: Hire a copywriter and have them work with the legal team to make this a human-readable ...
2
You have a flipped hierarchy issue. The buttons are visually more prominent, but the content they link to is secondary to the content above.
So, one option would be to reverse that hierarchy. Make the current buttons plain links instead and then style the list of links above to look more like a navigation list. Perhaps something like this:
...
2
You'd probably get more of what you're looking for over at UX StackExchange. Nonetheless ...
I would turn these into menus rather than modules on the page. The three headings would be the top nav and the list of links would drop down. I think that would make your concept much more apparent to the user.
You could keep your thumbnails in the menu, if you're ...
1
Short answer: no
You need a license to obtain any font (unless you designed and created the font yourself).
While you don't need a license to use a font that you already own, you need a license to legitimately obtain a font.
Legitimate ways of obtaining a font, with a license, include:
A font came bundled with other software and you obtained the whole ...
3
The original artist contacted me. The font is called Venus Rising.
EDIT:
Okay, I got some additional clarification. The logo I put in this question does indeed use N-Gage font. However, we asked him to modify the logo for us. When he did that he switched to using a modified version of Venus Rising. Here is our modified version of the logo in the question.
...
2
it looks like an edited version of
Neuropol - http://www.dafont.com/neuropol.font
or
Orbitron -http://www.google.com/fonts/specimen/Orbitron
0
Just explain it in plain English:
"Using this font on the web requires an additional license, which is [$xxx per year / $xxx per 10,000 page views / not available for this font].
"Consequently I recommend that you [use some other font instead / pay $xxx for an additional license for 12 months]."
It's really not that hard to understand that using a ...
4
Kerning is a generic word for adjusting the letter-spacing or "tracking" on a letter-by-letter basis - it does not refer to any specific process by which to do so. It can refer to either:
pre-defined kerning or kern pairs, where kerning information is embedded in the font;
automatic kerning, where the text is automatically kerned by computer but not by ...
2
Default kerning values for any specific typeface are embedded within the associated font files.
All font files contain kerning values. However, not all fonts have good kerning values.
This is a bit of a generality However, most well known typefaces fron quality vendors will have decent kerning values and most free fonts will have default values which ...
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