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14

After some digging, I found it is called a catchword. Read more about it here: http://english.stackexchange.com/questions/65963/in-old-books-why-is-the-first-word-of-the-next-page-printed-at-the-bottom-of-th I always assumed this was to improve readability, as the reader could continue more seamlessly onto the following page, but it turns out it was also ...


10

Logos would be done with paste-up: text might be created using a linotype or phototypesetting machine. I personally used a machine that had fonts on wheels approx 12" in diameter which you rotated and selected individual characters using a footswitch. This exposed the type on a strip of photopaper and at the end, you'd had a line of text which you would ...


7

A storage room full of vertical files. Vertical files full of photomechanical transfers, paste up boards, sizes and sizes of photostats, type sheets. These took up rooms, often warehouses to store if the agency was a bigger agency. Then Pantone chip definitions and swatches. This is were Pantone was born and blew up. A color system which was consistent ...


7

The long s 'ſ' can be found in many blackletter fonts, but the r rotunda 'ꝛ' seems to be very rare. There are several blackletter fonts by Peter Wiegel (Cat Fonts) that contain both glyphs and are for free: Rotunda Pommerania Berthold Mainzer Frkatur UNZ1A Blankenburg UNZ1A Fette UNZ Fraktur Schwaben UNZ1A Of these, Rotunda Pommerania comes closest to ...


6

The CSS font-weight is influenced by Linotype numbering system. As you can learn from the wiki, every digit in the number describes different characteristic of the typeface and from this point CSS adopted Lynotype in part... The 100 to 900 system works for some fonts, but fails for other, thus you should always check this in advance before using particular ...


5

Funnily enough, design blog CreativeBloq published a list recently titled "The 10 best movies about design": (actually, just realised these are pretty much all feature length documentaries, or documentary-like. Technically they're still movies I think but the question seems to ask for fiction films. Oh well, I'll leave it here anyway) Why Man Creates, ...


5

Normally, "Black" is used to mark the heaviest (boldest) variant of a font. Or, they use a number scheme, usually running from 100 (lightest) to 900 (heaviest). So, I'd expect Neuzeit Grotesk Black to be the heaviest variant: http://www.myfonts.com/fonts/urw/neuzeit-grotesk/t-black/ The 'grotesk' part of the name simply refers to the stylistic family of ...


5

But what was their inspiration/model? What era were they trying to envoke, if any? Haas set out to design a new sans-serif typeface that could compete with the successful Akzidenz-Grotesk in the Swiss market. And was there a predecessor to their inspiration that might provide a better understanding of this family? Originally called Neue Haas ...


5

For a little background, the reason I originally posted this question was to provide some space to answer a comment on another answer of mine. The issue revolved around pairing fonts with Helvetica and I proposed looking to structurally and historically related faces: namely the clarendons. It seems odd at first but, if you trace Helvetica's lineage (and ...


4

To add a bit more: What was their inspiration/model? It was part of the international style of Swiss typography (the "International style" or "Swiss style"), and is an example of a 'Grotesk' (Grotesque) sans serif (Germanic 'Grotesks' are sometimes associated with a more geometric approach than US/UK 'Grotesques'). It's a movement associated with crisp ...


4

You may want to focus your topic into the concept of information design, which is where graphic deign splits off from just being about making something look pretty to highlighting the information that is important to people. One starting point might be to look at the Nudge blog where occasionally they highlight how design can "nudge" people into making ...


4

I am no expert, and I was not a student in the seventies, but I do remember some of the political upheavals, social and cultural currents and events. Design is informed, develop in tandem with, or as a reaction against, politics and the happenings in society in general. Yes, there was definitely a good deal of sixties hippy aesthetics around in the ...


4

Linotype made it to CSS over Panose system partly because of licensing concerns. See http://en.wikipedia.org/wiki/PANOSE. The Panose number is used in TrueType, OpenType and SVG fonts and contains infromation about weight, proportion, contrast etc. The Panose weight number is more or less the same system as the Linotype/CSS. From very light to extra black. ...


3

As you still see. About 20 years back we had what was called a drives and either people would deliver artwork on the a drive or fax over the design and you would have to scan the artwork and spend a full day cleaning it up in a vector program. After this process it would be plotted out, masked and the artwork applied to the medium requested. If you want ...


3

The only films I can think of are Milton Glaser: To Inform and Delight and Design & Thinking. Google turns up this link on Creativebloq.com. And this is probably the best film every designer should watch. (John Cleese on Creativity) As far as I know all films about design are classified as documentaries. If they aren't documentaries, they are ...


3

"Most attractive" is a pretty hard question to answer, but if you want to emulate a range of styles in a movie poster, you're in luck because movie posters tend to follow a range of clichés. FontShop has a blog called the FontFeed, and they have a large archive of posts where they review movie posters. Read ten of 'em in succession and you'll start to see ...


3

Of course the matters discussed, were highly subjective, and will considerably differ from countries having so divergent political backgrounds as it were back in the 70ies. Let me share my rememberance of graphic design concepts I thought were cool in Germany then, when I was a teenager. I am aware of this inevitably being a rather inclomete, narrow, and ...


2

The Stop sign comes to mind. Before design was unified each state, county, and city was free to have their own form of stop sign. Colors could range from yellow, to orange, to red, even green in a few cases. And shapes, while mostly circular, varied as well - some rectangles, triangles, and circles. The (federally mandated) unification of design has ...


2

Target's pharmaceutical packaging comes to mind. Dubbed ClearRx, it originated as a student project at SVA and Target picked it up. Here's a couple of starting points for info. http://deborahadlerdesign.com/casestudy/?id=target - The designer who pioneered ClearRX talking through her story, with images illustrating the process ...


2

Have you tried doing any of these things? Restore part of an image to its previously saved version Do one of the following: Use the History Brush tool to paint with the selected state or snapshot on the History panel. Use the Eraser tool with the Erase To History option selected. Select the area you want to restore, and choose Edit > Fill. For Use, ...


1

I'm afraid I cannot help for recent icons but for the historical part of your question, I have given a brief presentation about the history of pictograms before. Obviously, starting at the Egyptians may be a bit of a long shot depending on what you are trying to accomplish. I'd advise looking at the work of Gerd Arntz as a starting point. Gerd Arntz was ...


1

There is a copy on Archive.org: http://archive.org/details/laoperinadiludou00arri which seems to be higher resolution. If that doesn't suit, my suggestion would be to buy http://www.myfonts.com/fonts/ihof/p22-operina/gallery.html and use it to re-set the text you need --- if you just want the cleaned-up appearance you could use Adobe Poetica. John Howard ...


1

It was done in person, or by mail, of course. Designs were reproduced and resized photographically on a line camera. The original cut & paste was with an exact-o knife and a waxer. You'd cut out the logo or art needed from a sheet, run it through the waxer, which would coat the back of the paper with hot wax, and you'd "paste" it onto your board. Wax, ...


1

If you have an account at the AP Style Guide you'll see that this process is already in the works. It's part of AP style to not put 2 spaces after a period. http://www.apstylebook.com/online/index.php?do=entry&id=3544&src=AE


1

As others have pointed out, this is a perfect opportunity for a scripted solution. The upside of scripting it (vs doing it by hand) is that you could tag the dupes with a label so the process could be updated on reflow. It really shouldn't be that difficult to do in javascript. Check out the InDesign Scripting forum for more complete guidance.



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