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You can also try the shapebuilder tool after outlining the stroke


"I can't figure out how to equalize the first image so it plays perfectly with the second." Thats because you can't. You've lost WAY too much out the windows as they are overexposed in the photo you are trying to fix. The girls shoulder is completely gone in the water reflections, all white pixels - it's a mistake photo. However if you took the picture or ...


Illustrator does not really excel at this sort of operation. This is why I linked to Excentro in the comment above. Excentro is specifically designed to create guilloch├ęs and it's artwork is exportable (as vector) to Illustrator. Of course, I realize Excentro is an extra cost. The ways I can think to try and pull it off with only Illustrator include: ...


Building on what GoofyMonkey suggests: Release the opacity mask. Cut it. Group the underlying objects or combine then using the pathfinder tool that unites areas. Paste the object that was formerly the opacity mask back into the composition. Use Paste in Front to ensure it's on top of your other objects and in the same position. Use the pathfinder on the 2 ...


Following on from your (most excellent) set up: 5) Create a new character style, name it "non-italic" and set it's font style accordingly ("Regular" works in this example). 6) Bring up Find/Change, but leave the "Find what" and "Change to" fields blank. Beneath those fields you'll see Find Format. Specify Character Style as "italic" and Paragraph Style as ...


Open image in Photoshop Go to Filters > Other > Offset Adjust vertical offset so that the image seam is in the middle of the image Use the liquify tool to seamlessly connect the ribbons together Fail miserably Consider trimming all excess whitespace, and use background-size: contain instead More info on the background-size property


Ok, here is how you do this. Prepare your image layers and all. Im going to be using a very simple image with colored squares. Image 1: Original setup with simple shapes, this would work with any layered source however. Select ALL your layers you intend to stack up, into isometric or perspective. I will be transforming to isometric [1]. Scale down ...

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