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1

Seeing as this post is like a list of font-creation software, I'd like to add another for everyone to consider. I recently came across it on Kickstarter, and whilst I haven't tried it, it looks quite promising. It's called Prototypo. It's a brand new alternative, and it's crowdfunded! Definitely worth considering in future, though it's currently in ...


3

Select the art and choose Edit > Edit Colors > Recolor Artwork and play to your heart's content. To hide the selection edges, simply choose View > Hide Edges. However, if you use Recolor Artwork the edges automatically get hidden when that dialog is open.


2

You'll want to use a global swatch. Select your object Drag its fill colour from the toolbar into the Swatches panel (Window > Swatches) Double-click the swatch Check the Global checkmark Check the Preview checkmark Choose your Color Mode of choice Color pick away. For the bonus points, to hide your selection lines, hit Control/Option+H or choose View ...


2

To change the font style of all text layers, you can filter all Type Layers with Layer Filrering option (CS6+). You find it on the top of Layers panel - [T] icon. Than just select all Layers that left in Layers panel and change font as you wish. Don't forget to turn of filtering when you're done - click on the red toggle button next to filters.


1

You need to: start w/ a .pdf which has the characters encoded using Unicode (check document properties) have the font in InDesign set to one which has those characters at the same Unicode slots Then it'll ``just work''.


0

I should first explain that extracting the pattern from one photograph of a tie and painting it seamlessly onto another photo of a tie that's in a different position, is a very difficult task. Even an experienced designer would probably not attempt this in the way you're suggesting. If anything, they'd probably redraw a template tie, then redraw each ...


4

I give you another answer, but there are a lot of options. Create a circle (Elliple tool->Shift+Click+Drag) and make desired stroke (i.e. 23 points) Next, press Object->Expand Next grab Type tool and type "+", then press Object->expand and resize and locate the cross along the circle. Then select all the shapes and press Minus front on pathfinder ...


7

Create the circle shape. Remove the fill. Give it a stroke that is as thick as the width you want. Go to Object → Expand.. in the top horizontal menu. Create a rectangle that's as thick as you want the gaps to be. While you still have the rectangle selected, hold Shift and select the circle. Use the alignment options to center it horizontally and ...


1

You can do it also with the scissors tool. Invoke it from the tools panel or just by pressing 'C'. With it you can click any path or shape and Illustrator will split it in two as you would do with your scissors. One good option to do that would be to draw the circle, divide with the scissors on top of the four anchor points to create the four quarters and ...


4

If you want extremely fast solution, grab Ellipse tool and select options as on the picture: If you want perfect solution you should use Pathfinder panel cutting the circle with a cross.


0

The way I do this is: 1- convert first the object to symbol 2- Center de object where you want, if you want align the symbol with your reference object, it mean the pivots are coincident now. 3-double click in the symbol to enter in edit mode 4-Change the position of your symbol where you want. 5-Exit edit mode and, you should have the pivot of your symbol ...


3

Try the "Preserve exact dash and gap lengths" option in the Stroke Panel. It's the left-most of a pair of illustrated buttons, just to the right of the "Dashed Line" checkbox.


0

In the Transform Palette side menu, turn off Scale Strokes & Effects. You can also turn it off in the Preferences. Hit Command + K and uncheck it in the General tab.


1

One way that might work for you is to temporarily disable/uninstall the old font from your system and then use the "Replace all missing fonts" feature under the "Type" menu. It's not the prettiest way to do it, that would probably require scripting, but it should work fine in your case.


0

First check all the fonts are in same format. If so take layer style or press F7. click on the top most layer and pressing shift click the last layer too. Now you have selected all layers. Then from window-->character if the same is not at on. there you have an option of choosing font. there you go. you can select whichever font style you want. It will apply ...


1

If text is the only thing which needs to be changed and it's not too deeply integrated, open up the .psd files in Adobe Illustrator and make the change there using Type | Find Font...


3

The dimensions are variable. User Joojaa is correct when they say that "You can no way know what size or shape the recipients screen is going to be." You cannot set any explicit value in your CSS, because if you want to consistently support all browsers, you have no way of knowing what size it's going to be. I'm going to give you one method, using just ...


0

What do you mean by "it does not scroll vertically"? That you do not want it to scroll vertically, or that for some reason it is "fixed"? There is no such thing as guidelines for web page withs and heights anymore. As user2725502 and Joojaa points out: the massive variety of devices makes this wildly impractical if not directly impossible to do sensibly. ...


0

These days webdesignerd tend to use responsive values. So make it responsive by using %. Although this makes using images tricky


0

I am totally late with this but someone else might find this useful. It's a little convoluted but here is how I do it in X4. When you are done drawing your icon (1 in the diagram), draw a rectangle over it with the rectangle tool (2). Now, select your icon and then the rectangle (*the selection order is important! Move the rectangle behind your icon if you ...


1

If I understand correctly, your actual icon should be 96 by 96 pixels with a transparent padding that adds up to 128 by 128 pixels. First of all, what you did in the second step was reduce the size of the green background of your logo. I assume you want to keep the full logo without actually reducing its background. First, open your logo as it is, 128x128 ...


0

Those flares around the sun are made using fractal IFS flames, most likely using Apophysis - it is also available on Gimp under Filters > Render > Nature > Flame ... Hit 'Edit' and select the spherical variation and you should get similar flares. Hope this helps.


15

Use the Polar Grid Tool. This is what it's for. Tap the ↑ arrow on the keyboard while dragging to add rings. Tap the ↓ arrow while dragging to remove rings. Tap → or ← arrows to remove or add dividing lines.


7

As you have already selected the correct answer, this is for anyone who want to know the exact steps. Create your smallest circle using the ellipse tool, then create your biggest circle around it (copy the smaller circle then press ctrl+shift+v to paste in place and hold shift to scale up (On PC)); highlight the two and choose Object > Blend > Make ...


8

Create the largest one. Then create the smallest one via Edit > Copy (Ctrl/Option+C) -> Edit > Paste in front (Ctrl/Option+F) -> scale down. Then select both objects, go to Object -> Blend and select specified steps.


2

This is not exactly a logarithmic coefficient, but it may do the trick in some situations. You can use blend tool and convert the extrapolation path handles into smooth handle: The more the handle is wide, the more spacy the interpolated shapes are. Into your blend group, select the interpolation path: convert the handle of the extrapolation path in ...


0

this is just half the solution! Making something in RGB color format and then changing it to CMYK as answered here merges all the layers and makes them unavailable for further use. What I suggest is make another document with the same canvas size and image size in CMYK color mode and then select all the layers in the document with RGB format and then just ...



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