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Aug 19, 2019 at 13:59 comment added 13ruce I use this method all the time. If you think about it in terms of separations, it is effectively adding a black gradient over the top of a solid fill of the main color, since it is just grading from red to red+black.
Apr 16, 2015 at 18:16 comment added plainclothes ^ add that comment to your answer for bonus points (^_-)
Apr 16, 2015 at 18:15 history edited plainclothes CC BY-SA 3.0
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Aug 16, 2014 at 14:17 comment added oscarpas The default CMYK black has the values 0,0,0,100 with the 100 being black K color, this is actually not a black but a dark grey (and this is why you use a rich black when printing). So when Illustrator tries to render the gradient it turns grey before fading to red. Now our matched black is a red black since we cranked up the Magenta and Yellow values, thus it renders smoothly from red to black. To not get confused about what black you're using make sure Illustrator is set to display all blacks accurately in the preferences.
Aug 16, 2014 at 13:23 comment added Chris Thanks for the answer, I'm just wondering what is the reason behind matching the channels, I'm used to working in the RGB Mindset and I've never come across this before, I just thought of it as selecting two colours.
Aug 16, 2014 at 4:38 comment added oscarpas Got it :) Been a while since I did any prepress work.
Aug 16, 2014 at 4:03 comment added Scott Like I posted. "skirting" :) An ink limit of 300 or 310-320 is absolutely possible. It varies based on print provider. In my experience 290 is more common and 300 is pushing the maximum. But again, that's just the print providers I work with.
Aug 16, 2014 at 3:55 comment added oscarpas @Scott offset sheet-fed or heatset web printing on a coated paper should be able to handle 300% or even a bit more, no?
Aug 16, 2014 at 0:45 comment added Scott 0,100,100,100 skirts the ink limits of most CMYK printing.
Aug 16, 2014 at 0:42 history answered oscarpas CC BY-SA 3.0