When starting a new file in Photoshop, one is given the choice of selecting many things, among them is "Pixel Aspect Ratio".

What is this? What does it do?

Do I get smoother lines if I choose anything other than 'Square Pixels'? Will everyone see the same quality?

4 Answers 4


On a normal monitor imaging element is in a square matrix. We then call the aspect ratio of that pixel 1. Aspect ratio is just the width/height. A aspect ratio of 1 is a square and a aspect of 16/9 is elongated. In the case of monitors we have 2 separate aspect ratios the ratio of the monitor and the shape of each pixel, called pixel aspect ratio. These two are not to be confused together they are different things.

enter image description here

Image 1: Aspect ratio is defined as width divided by height

One some devices most notably old TV signals and some movie formats the pixel is not a square but rather somewhat elongated, wider than high. So by setting this value to other than 1 will result in Photoshop emulating such a screen by stretching your image accordingly.

enter image description here

Image 2: A pixel bobba fett by Shkvapper in a 1:1 pixel ratio and a 3:2 Ratio (or 1.5 expressed as one number)

Most users will never need this option for anything! So its safe to keep it at 1, unless you know you need it. Odds are you will never encounter a situation where you would ever need to change pixel aspect ratio.


The ViewPixel Aspect Ratio setting in Photoshop simulates non-square (elongated, rectangular) pixels on a square-pixel screen, primarily for preview purposes.

Photoshop does this simply by scaling the work area along one of the axes to get the desired, simulated pixel shape. The scaling takes place for display purposes only; when you change the pixel aspect ratio, the software will not touch the underlying pixel data in the image you’re working on.

The image resolution (number of pixels along the horizontal axis and number of pixels along the vertical axis) will stay the same regardless of whether you’re watching it in an aspect ratio-corrected mode or in a square-pixel mode. If you set a non-1:1 pixel aspect ratio and use the magnifier tool to zoom into a level which will show you the individual pixels as a grid, you will see that the cells of this grid are now elongated along one of the axes, following the x/y pixel aspect ratio you set.

However, Photoshop does allow you to paint on the image in this mode, and will scale the output of its tools accordingly, to match the new pixel aspect ratio. So you can e.g. draw circles which will look perfect with no distortion whatsoever, even though when you study them in the magnifier view, or using the ruler tool (set to use pixel units), there will be a different number of pixels along the horizontal and vertical axes.

So why would you ever want to do this? Your pixels are supposed to be neat and square; their width matching their height, right?

Not always.

As the preset options in the ViewPixel Aspect Ratio menu suggest, Photoshop mainly implements this feature for working with video frames. There are several industry-standard digital video formats – such as those used on PAL and NTSC DVDs and in SD resolution digital TV broadcasts – which for technical and historical reasons employ a different pixel aspect ratio than 1:1.

The same also holds true for the early (1980s-era) home and office computers and video game consoles. The early video graphics chips usually produced signal where the pixels – realized as a video raster displayed on a CRT screen – were clearly wider or narrower than their height. If you wanted your computer to draw perfect circles instead of elongated ellipsoids, or design any other sort of graphics or art which was to be displayed on the computer screen, you needed to take the pixel aspect ratio in account and match your designs to the fundamental characteristics of the video graphics modes your computer could produce.

Later on, PCs began to standardize on graphics modes which would produce (nominally) 1:1-shaped pixels on properly adjusted CRT screens, while also filling the screen area from edge to edge. Yet later, LCD monitors fixed the pixel array once and for all, making it (for all practical purposes) mandatory to use square-pixel graphics modes and the native resolution of the display, instead of some arbitrary resolution.

This was all sensible and welcome development as standardizing on square pixels made it much easier to create and display graphics in a portable way. The early computers did not do this because they had various technical limitations and trade-offs where getting a particular resolution or color palette on the screen was more important than the exact shape of the pixels.

You may still occasionally stumble upon special-purpose displays (think of something like a jumbo LED ad display on the outside wall of a shopping mall, or the LED array displays showing the next stop on a local bus, or the monochrome LCD display on the control panel of some industrial device) where the picture elements are not necessarily square-shaped, and where your pixel-graphics designs need to be scaled or shaped accordingly. That is, if you want to maintain the correct (physical) aspect ratio for graphics you output.

The less resolution and colors a display has, the more it calls for hand-tweaking your graphics pixel-by-pixel, or designing them from scratch for a particular graphics mode or display. Even more so if the final picture elements are not square. (Mere mechanical application of interpolation algorithms will usually produce quite bad results if the target resolution or color depth is small enough. Or inversely, the quality of your designs can be considerably better if you design for the limitations of the device and control the output to the level of the individual picture elements instead of just applying scaling algorithms and automatic conversions.)

The need for these considerations is altogether getting rarer now as even the lowest-end devices often have plenty of resolution and color on their displays, and engineers mostly try to make the addressable picture elements square in their shape, if at all possible. If you work with SD video (for archival or editing purposes), or design graphics for retrocomputing or demoscene projects, they’re still very real, though.

  • Some monitors designed for digital signage use also use rectangular pixels.
    – barbecue
    Commented Aug 8, 2016 at 3:27

I really do not think of a practical usage for non square pixels in static images.

In video you could have not rounded! but rectangular.

Have you seeing videos where the image is squashed? That could be because a conflict in this aspect ratio. Those are rectangular pixels.

The most common case was the Standard DVD. http://www.doom9.org/index.html?/aspectratios.htm



I think this might be the answer to my question by Mr Graeme Cookson:

"The Pixel Aspect Ratio is simply a fancy way of saying what the length of one side of a pixel is in relation to the length of the other. If the ratio is 1:1 it means that each side of the pixel is the same length as the other, in other words the pixel is a square."

Square pixels are for flat images, other, what I now think of as 'rounded' pixels are for videos.

Keeping the pixels square since the image I am making is still.

  • If anyone can elaborate, I would be happy. First time on this site, and I see a mountain of knowledge I can barely fathom.
    – DarlingDee
    Commented Aug 7, 2016 at 12:05
  • 1
    1) This isn't about rounded pixels, it's about rectangular vs square pixels. 2) The choice is unrelated to static images vs. videos. It's just that some historic video formats use non-square pixels. Commented Aug 7, 2016 at 15:51
  • @CodesInChaos some modern video formats are still anamorphic although it is starting to become less and less common. Also consider sub pixel rendering essentially metamorphic
    – joojaa
    Commented Aug 7, 2016 at 16:15
  • There are no rounded pixels.
    – Rafael
    Commented Aug 8, 2016 at 14:23
  • "Rounded" in the sense that each pixel is a flattened circle (an oval), as opposed to the regular circle of a 1:1 pixel. If you think about each pixel as a dot and not a square, this makes sense.
    – user53083
    Commented Aug 11, 2016 at 18:50

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