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I have seen many minimal logotypes like the one below that include an underline in one of its letters. I did lots of web searching, but didn't find anything explaining it. I'm curious to know the meaning behind such logos. Can anyone explain the reason along with providing an example?

Picography logo

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    visual interest. – Scott Jul 28 '17 at 12:36
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    Lack of better ideas on a Friday afternoon and a gullible client ;) – mayersdesign Jul 28 '17 at 13:26
  • @mayersdesign haha, I wonder how it was explained to the client. – Vishnu Raghav B Jul 28 '17 at 13:32
  • Somehow, to me, it makes it read Pic "Oh" Graphy, keeping the hard O in Pico. – Webster Jul 28 '17 at 15:33
  • @Webster Since I've read a lot of Swedish signs and logos, I instantly read it as “Pic & Graphy”. – Janus Bahs Jacquet Jul 28 '17 at 17:19
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This might depend on which part of the world the company is in. Here in the UK, many years ago, it was fairly common to abbreviate the word Company like this. For example, a company called "Smith and Company Limited" would sometimes be abbreviated like this:

Example of abbreviation

So, the example you posted may be an attempt to give the logotype a somewhat retro/old fashioned feel to it. At least it has that kind of feel to it here in the UK. I'm not sure if younger people, or people in other parts of the world would know this.

The superscript o with underline also appears in the numero sign №

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Not sure about logotypes (your example looks like staffage), but superscript and/or underline is an abbreviation indicator going back to at least Latin.

The o in your example would be for use with N to abbreviate "Number" e.g. "No 902"

In handwriting, it would be common for "James" to be "Jas" with the "as" superscript, sometimes with a line under it. etc.

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There may well be technical references back to old school typesetting abbreviations but as Metis suggests, in a contemporary sense it is more to do with creating visual interest and particularly a sense of tension or things being 'beyond the norm'. During the 90's in British design colleges we were encouraged to use type as image and challenge strict typography - influenced not least by the PUNK movement, Jamie Reid and his Sex Pistols collages. Many of us studied painting, life drawing and illustration alongside graphic design. Neville Brody expanded this with the Apple Mac toolset (the font Blur originated from a Photoshop filter effect) and later David Carson with his surf counter culture mag RayGun. Carson went so far as to set an entire editorial in Ding Bats (he didn't agree with the author's premise).

A notable mainstream application came with the popular band Mike and the Mechanics - in their logo and covers used over several years.

enter image description here

enter image description here

And you can trace this debt back to Saul Bass in the 60's and beyond that to Miro, Dada and Lautrec who blurred the lines between art, expression, graphics and type.

enter image description here

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