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35

Not only you need bleed, but you need to consider if you need to shift the image a bit away from the borders depending on the binding method you are using. Saddle stitching binding allows the book to lay flat when it is open. The content that is close to the inside edge of the book will be visible. This method of binding is usually expensive. Perfect ...


33

It's a feature of that particular font design. There is no distinction between a horizontal and slanted hyphen. Some fonts such as Adobe Garamond, Monotype Goudy, Goudy Old Style (URW), have a slanted hyphen, but the vast majority of serif fonts don't. Some also have a hyphen that looks more like a tilde, but again this is just a design choice. The reason ...


26

How did they do this without computers? They used rulers. If you exclusively know how to draw with a computer: that's a straight edged object, to help guide a pen or pencil into a straight line. For really advanced technical drawings, such as the curve graph example, there were templates with different curves (elliptic, parabolic, hyperbolic): There were ...


17

Yes, with the image selected within the frame, press s (for the scale tool), click once to set the origin, then click-drag holding shift to resize the image. Or if your reference point (below) is set to the centre, you can skip straight to click-dragging. When preceded by command Fill Frame Proportionally this workflow is quite efficient. More on fitting ...


16

The purpose of bleed is to mitigate imprecision. The printer "may cut 1/16 inch off the pages" means that the printer will not guarantee that their cutter will be accurate within 1/16 plus or minus (a 1/8 inch range). So the question for you is not about cutting too much off, but whether you will be happy with a sliver of white paper showing when they don't ...


14

Engineers and scientists of different branches used to have drawing classes on their curriculum. Many of these people were quite accomplished at this. We used to have row upon row of drawing boards in the classrooms in the design/engineering departments. The drawings were drawn with pencil and then inked for final results. They would then be reproduced on ...


12

It's recommended to start new chapters on the recto page of a manuscript, as it establishes a predictable flow for the reader to follow. The resulting occasional blank pages are actually a part of establishing this rhythm, making the divisions between chapters even more distinct. This recommendation is listed in rule 1.48 requires login of the Chicago Manual ...


10

Traditionally stock sites allow you download a free, watermarked "comp" image which can be used in your design until the client approves the piece. Once the client has approved, you can then go back and purchase and download the non-watermarked image. You are free to purchase and download the non-watermarked image whenever you'd like however. It's not ...


10

You can not just use pictures from online sources without first looking up the license of each and every picture. No amount of citing the source will make it permissible to use images. Only the licensing condition applies, this is not a fair use condition by any stretch. Manuals don't fall under any of the common exceptions, although legal issues vary based ...


9

There are many applications that can do this. I have explained two options that you may consider: (1) Paid Applications: (from Adobe) a. Photoshop - Image manipulation b. Illustrator - Vector Graphics c. Indesign - Layout your cover page/book exactly for Print & Publishing (2) Free Applications: (Open Source) a. GIMP - Image manipulation b. Inkscape - ...


9

My guess: their bindery equipment cannot guarantee to fold/score exactly on the line between your colored spine and the white cover(s). Same thing applies in three-fold brochures. I call it a "design element on fold." It requires hairline bindery precision, which is rare if not impossible (which is why we have margins & bleeds).


8

Here in Switzerland there are quite a few multilanguage Examples with multiple languages on one page (even more than two). Most differentiate with color. (I don't have any example around but it really is very pretty). -- If you don't have color as an option this falls short. In addition to color many use different positioning for the type area. This way the ...


8

While changing orientation isn't unheard of (indeed, sometimes it can be used to striking affect), it's worth pointing out the full range of options available to you, obvious though they may be: Crop the image to a portrait format. Insert it as a landscape image despite the white space: too much white space is rarely an issue in an aesthetic sense. Insert ...


7

Out of curiosity, I looked at the book in question to see if there was colophon information. Some books include the typeface names used. This one did not. Then I did a search for 19th century free ebooks with type specimens and found one called Shniedewend & Lee Co's specimen book and price list of type, Shniedewend & Lee Co, Mackellar, Smiths & ...


7

No, usually not. This is a legacy of hardbound binding; these extra pages were glued to the cover and the inner pages, and do not count as "inner" pages. For a paperback, you don't need to explicitly add them. The page with the half-title is sort of a connector between the cover itself and the inner pages. Its use is (historically) to protect the real title ...


7

The simplest rule on this is usually the best: less is more. I have often found myself in the position where i was praised for layout that was simply not overdoing it (see also this long-winding answer on the topic). Inexperienced users will over-design and over-layout a document. Stick to 1 Typeface. You can have two, one for headings. But think if you ...


7

I, personally, would use ink and a roller, or a small pad/sponge, not paint. Ink will go on thinner, cover just as well, and not be tacky. Something like This India Ink. It's opaque, waterproof, and typically drys pretty fast.


6

To avoid mousing over to the toolbar, or having to press the A key to switch to the Direct Selection Tool, you can just click the target in the center of your placed image (appears when you float your mouse over it). Then, as long as you have the content selected and not the frame (brown handles instead of blue), you can just drag the handles to scale the ...


6

I think you're right. Classically, inner margins are smaller than outer margins. However, you do need to ensure the inner margins are large enough to keep content out of the gutter. The reason outer margins are larger is due to creep (which you can calculate). Creep is the slow outward movement of content due to the gutter and binding. Content will move ...


6

A good textbook is about content. Without something worthwhile to say, the design fades away. Content is King. So let us look at what kind of content you will need. 1. Illustrations Most subject, need or at least greatly benefit from pictures to clarify things. The right picture at the right place can do wonders for your design. This said you can not just ...


6

A lot of the old engineering books have a chapter on drawing - for example, I have "A textbook on Electric Lighting and railways" International Correspondence Schools, Scranton, PA, 1901; the first 100 pages or more are about technical drawing. We had to learn technical drawing in school (1970s UK). One practical way to draw the lines on the graph is to ...


6

Whenever our copywriter has edits to his work, he sends us the original Word document (and a PDF version) with changes, with all of the changes highlighted in yellow. It's by far more efficient than what most clients do, which is a. send us a pdf with messy and hard-to-read correction tags or b. send us a stream of corrections in an email. I would suggest ...


6

If you can budget 20-30$ for a font, go to myfonts.com and search 'ornaments'. There will be many results and you can pick what looks best. Some good options are the Flourishes & Ornaments or Liebe Ornaments fonts previewed below.


5

Speaking from experience of reading books to my three sons, which are now five years and below. I must add that this may apply mostly to younger kids and elder toddlers. However, I still think the below holds true for nearby ages as well, in many cases. Likewise, I'm also considering making children's books, and these are the main things I would consider (...


5

Hi Vincent and welcome! I think Tschichold's Canon works esthetically but yes, depending on your binding, you will have to add to the inner margin. It obviously depends on the kind of binding and also the amount of pages in your book. There are other canons like Van de Graaf and Rosarivo and Bringhurst also has a nice section about page proportions in his ...


5

There's a few ways to do this and of course it depends on how you plan to build your layout. Italic A common way to do this is using italic instead of different fonts. Some countries prefer the "main language" to be bigger and/or top on position, and the other language(s) will be in italic. Other countries must have all the languages with the same ...


4

The Geometry of Design is not about the web specifically but it is a great book on proportion systems in layout and product design in general. For what it's worth, phi is not the end all proportion. There's a lot more value in considering standard view port sizes or the proportions of the screen. The beauty of phi has been most notably exploited in the ...


4

Lowercase roman numerals: i.1, i.2, i.3, ii.1, ... Alphabetical: a.1, a.2, a.3, b.1, ... As long as the reader can navigate, any scheme is acceptable. Unless you're publishing in an industry that has a particular set of expectations.


4

The most straightforward way to do this is to export to PDF, then use the PDF booklet printing option in the Print dialog. As you have seen, the Print function from the Book Panel doesn't offer a booklet printing option.


4

I use: Command/Ctrl+Option/Alt+Shift+E (fit to frame proportionately) Command/Ctrl+Option/Alt+E (fill frame) Command/Ctrl+Shift+E (Center in frame) All these items can be found in the menu under Object > Fitting >


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