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I don't particularly see the problem in the separation between I and N, I see it in the others, especially in the angled corners. Taking the separation between the two vertical strokes as the reference module (a in the image below), you can make a base scheme that can be optically adjusted later: From there, the relationship between a curved and straight ...


2

That looks like manual vector node editing to me - in the Affinity tools, you could start with a new Affinity Designer file, set up your typography minus the warp, alt / option-drag to make a copy of that element (trust me here) and then close the file - open the same file in Affinity Photo - apply a Mesh Warp and tweak till you're happy with it (this will ...


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